About

image of two ladies at a laptop

Like many great ideas The WoMentoring Project came about via a conversation on Twitter. While discussing the current lack of peer mentoring and the prohibitive expense for many of professional mentoring we asked our followers – largely writers, editors and agents – who would be willing to donate a few hours of their time to another woman just starting out. The response was overwhelming – within two hours we had over sixty mentors.

Our mentors are all professional writers, editors or literary agents. Many of us received unofficial or official mentoring ourselves which helped us get ahead and the emphasis is on ‘paying forward’ some of the support we’ve been given. The project has no budget or paid staff – it is run on goodwill, collaboration and people generously offering their skills for free.

In an industry where male writers are still reviewed and paid more than their female counterparts in the UK, we wanted to balance the playing field. Likewise, we want to give female voices that would otherwise find it hard to be heard, a greater opportunity of reaching their true potential.

Why some of our mentors are getting involved…

Shelley Harris, author of Jubilee:

The reason I’m doing this is simple: mentoring can mean the difference between getting published and getting lost in the crowd. It can help a good writer become a brilliant one. But till now, opportunities for low-income writers to be mentored were few and far between. This initiative redresses the balance; I’m utterly delighted to be part of the project.

Marie Phillips, author God’s Behaving Badly:

I have only achieved the success I have with the help of others, and now I am keen to pass on that help. I particularly want to reach out to those who don’t have the privileges of wealth, status or existing contacts, but who have so much to gain and to give.

Alison Hennessy, Senior Editor at Harvill Secker:

I’m so pleased to be involved in the WoMentoring Project, and I can’t wait to meet my mentee. I know from my own authors how isolating an experience writing can often be, especially when you’re just starting out, and so I really wanted to be involved. I hope that knowing that there is someone on your side in those early days will give writers courage and confidence in their work.

Emylia Hall, author of The Book of Summers:

The WoMentoring project is the kind of opportunity I would have relished when writing my first novel. It’s founded in the spirit of paying it forward, and I’ll take real pride in sharing whatever experience I’ve gained with a mentee. I’ve benefited from the advice and encouragement of some truly inspirational writers, the right voice cheering you on can make all the difference when you’re in your solitary writing bubble. The formality of the mentoring arrangement also gives a sense of responsibility and focus – something that’s invaluable when you’re lost in the sprawl of a work-in-progress – and it’s beneficial to mentors too.

Francesca Main, Editorial Director, Picador:

My career as an editor has been immeasurably enriched by working with inspiring women writers, yet the world of publishing would have been inaccessible to me without the time and support I was given when first starting out.  The WoMentoring Project is a wonderful, necessary thing and I’m very proud to be taking part in it.

Jo Unwin of the Jo Unwin Literary Agency:

I wanted to get involved with this project because I’d like to help authors feel that whoever they are, and wherever they come from, they have a right to be heard.

Why female writers feel they need this opportunity…

Clare Archibald:

I’m interested in being mentored because although I think you have to make mistakes to learn, having someone who’s been there help you work out the ones with no value can be really useful. Most of all I’d like to have someone to push and challenge me on what makes me and my writing tick.

The idea of women sharing their skills and experience in a dynamic, nurturing way is a really important one given the lower profile given to female writers. Even though the mentoring is one to one a collective voice and resilience is still being built up – I think it’s a great idea that, for writers like me, will help get rid of some of the layers of doubt and creative loneliness that come with being a beginner.

Suzy Norman:

I’m on my third novel; I’ve had good notices from Faber, HoZ etc. but still not quite there. What I need is that final push. I especially need guidance on pacing, keeping the action pulsing along. I feel a mentor could be hugely beneficial in this process.

 

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